My chosen
field of new media is the online creative essay and also creative
non-fiction, within Australia and internationally.
Contents
Part 1: Australian Institutional
Frameworks
1:1 Australian professional bodies
and organisations
Table 1: Professional bodies and organisations:
1: 2 Useful
Industry Links
1:3 Ethics, copyright and libel laws
1: 4 Fellowships, grants, awards and competitions
Table 2: Grants
Table 3: Competitions and awards
1:5 Australian literary journals
Table 4: Australian print literary journals publishing creative
nonfiction essays
Part 2: International
Institutional Frameworks
2: 1 Professional bodies and organisations
Table 5: International professional bodies
and organisations
Table 6: University programs offering courses
in creative nonfiction
2: 2 Useful Industry Links
2:3 Ethics, copyright and legal considerations
2:4 Fellowships, grants, awards and competitions
Table 7: International Fellowships and
Grants
Table 8: International Prizes and Awards
for creative nonfiction works
2:5 International print journals publishing creative
nonfiction essays
Table 9: International Print Journals accepting
creative nonfiction
Part 3: Creative nonfiction
in the new media
Table 10: Online literary journals publishing
creative nonfiction
Part 1: Australian Institutional
Frameworks
1:1 Australian professional
bodies and organisations
Within Australia the field is dominated by more
traditional literary bodies such as University English and Literature
departments and the literary journals they publish, literary associations and government funding bodies.
Table 1: Professional bodies and organisations:
Name
|
Address/Web Address
|
|
Association for the Study
of Australian Literature
|
School of Humanities and Social Sciences
Charles Sturt University, Locked Bag 588
Wagga Wagga MC NSW 2678
www.asc.uq.edu.au/asal
|
Promotes
the study of Australian writing, holds annual conferences,
publishes a journal and publishes selected critical and
scholarly works on Australian literature. Definitely
worth joining to keep up with the field of Australian
literature.
|
Australian
Interactive Media Industry Association
|
Level 12, Skygarden Tower, 77 Castlereagh
Street, Sydney NSW 2000
(02) 92381900
www.aimia.com.au
Amimia@aimia.com.au
|
Peak body for the interactive
media and digital content sectors in Australia, devoted
to commercial development of the industry and support
of members.
|
Society
of Women Writers (NSW)
|
GPO Box 1388 Sydney NSW 2001
(02) 95448630
www.womenwritersnsw.org
|
Support
for women writers, regular meetings at the SLNSW, guest
speakers.
|
Australian
Journalists’ Association
|
PO Box 723 Strawberry Hills NSW 2012
(02) 93330999
www.alliance.org.au
|
Information and help
with industry standards,
union services, awards, industry updates and the like.
|
Fellowship of Australian
Writers
|
http://www.fawnsw.org.au/
My local ACT branch is
Fellowship of Australian Writers (ACT)
9 Bage Place, Mawson
ACT 2607
|
Promotes new Australian
writing, and the study of Australian literature.
|
The Australia Council
for the Arts
|
http://www.ozco.gov.au/
|
The Australian government’s
art funding body. This group not only supports young
and emerging writers, but actively shapes the field by
supporting particular writers and artists over others.
|
Australian Society of
Authors
|
PO Box 1566 Strawberry
Hills NSW 2012,
Ph: (02) 9318 0877 Fax
(02) 9318 0530
http://www.asauthors.org
|
Probably as close to
a union as you’re going to get. Plays an advocacy and
mentoring role for established and emerging writers.
|
The
Press Council of Australia
|
http://www.presscouncil.org.au
|
Information about reporting
guidelines, libel and defamation laws.
|
The
Ozwrite Network of Writers’ Centres
|
Australian writers’ centres: Australian
Writers' Centres,
|
Each
state capital has a Writers’ Centre. These groups all
have resources for writers, at the very least in acclimatising
the new writer to the cultural field by meeting the people
who help to define it. The websites often have information
useful to the novice writer.
|
ACT Writers’ Centre
|
Gorman House, Ainslie Avenue, Braddon ACT
2612
Ph (02) 6262 9191 Fax (02) 6262 9191
http://www.actwriters.org.au/
|
I’m
a member of this group. It holds a couple of workshops
a month, many of which cover nonfiction,
but often this is more traditional historical writing
than the modern memoir. It also maintains a list of
competitions which are available to members.<
|
Watermark
Literary Society
|
Watermark literary
society
|
Fostering
writings about nature and place.
|
1: 2 Useful
Industry Links
Pandora Web Archive run by the National Library
of Australia. When the small online literary journal you’ve
published in vanishes from the net without trace, you may find your piece again if the journal was archived
by Pandora.
Australian
Creative Nonfiction This is a special issue of Text
– Journal of the Australian Association of Writing Programs,
on Australian creative nonfiction.
Includes
interesting articles by author Michael Wilder and literary editor Nigel Krauth.
Australian Government
Culture and Recreation Portal
A fantastic cultural resource, with lists of
· Australian
writers' centres;
· Australian
Stories, which embody many of the
narratives and mores of the creative writing field in Australia:,
· Australian
literary journals<, including some history;
· Australian
literary websites
· Arts
in Australia, which again helps define the field.
1:3 Ethics, copyright and libel laws
The Copyright Council of Australia website has several Acrobat fact sheets which are useful
for the essayist:
Information Sheet G78,
Competitions
Information Sheet G81,
Journalists and Copyright
Information Sheet G57,
Creating and publishing on the internet
The most important factor to take from these
is that when writers enter into publishing agreements or enter competitions, they should check the conditions of publication
or entry, because occasionally this will involve
>ceding some rights under copyright law. When
this is the case, the Copyright Council suggests that writers
should weigh up the advantages (of entering
the competition, or publishing with this group) against whatever
they will lose by giving up their rights.[iv]
Plagiarism, where someone has stolen the substantive content
but not the expression or
actual words, is against journalistic ethics but not copyright.
Thus if someone plagiarises your ideas, it might
not be possible to take legal action, unless they
have substantially copied the text (wholly or in part) as well.
One of the most difficult problems is that
as the web is available all over
the world, so copyright laws from every country apply. Australian
Screen Writers' Guild FAQ on copyright has some basic practical information on dealing with international copyright
issues. Australian Screen Writers' Guild FAQ on copyrightIt’s a little out of date
though, since the copyright lasts for 70 years after author’s death, not 50.
A writer of creative nonfiction must also be careful not
to transgress libel laws, especially if they want to write something
which might cast a real person in a negative light. Like copyright,
they should be aware of libel laws within both the country of publication,
and the country where the potentially libelled person lives. For
instance, in 2001, a website called Baron’s Online was published
in the US, which had potentially libellous material on Victorian
Joseph Gutnick. A Melbourne court found that as the material was
able to be viewed in Victoria, that the case could be held in Victoria
under the more stringent Australian laws[v].
The
Australian Press Council page on Press Law in Australia has information on libel laws
in Australia, under no. 10, Defamation. Particularly note no. 10.2 What constitutes defamation.
Information on reporting guidelines from the
Australian Press Council.
http://www.presscouncil.org.au/pcsite/complaints/sop.html
1:
4 Fellowships, grants, awards and competitions
Many authors, including Dorothy Hewett, Delia
Falconer and Henry Reynolds, would have struggled to survive without
literary grants[vi]. In
general, the more lucrative fellowships will only go
to writers who have proven themselves through a number of significant
works, however there
are several smaller grants available to new and emerging writers
with a few publications in recognised .
The
Art of Getting the Grant, from the Age, has information tips
from writers on getting grants in the modern Australian context.
Most of the grants below
are not specifically for creative nonfiction; however creative nonfiction
would be eligible. See the websites for more information on any of
these. Most are open to Australian residents only[vii].
As a general rule, competitions are worth vetting thoroughly
before you enter. If the entry fee is excessive compared with the
prize, then the competition may well be a scam.
Table 2: Grants
Grant Title
|
Address
|
Amount
per annum
|
Who
is eligible, and what for?
|
ACT Creative Arts Project Funding —Literature
|
artsACT
Chief Minister’s Department
GPO Box 158
CANBERRA
ACT 2601
|
At
the discretion of the committee
|
ACT residents who are emerging
writers can apply for help with professional development
and editing costs. Includes nonfiction.
|
ACT Creative Arts Fellowship—Literature
|
artsACT
Chief Minister’s Department
GPO Box 158
CANBERRA ACT 2601
|
$35,000
|
Individual ACT resident writers
who have demonstrated excellence and shown potential for
improvements
|
Arts South Australia Barbara Hanrahan Fellowship
|
Festival Awards, Arts Industry
Development,
GPO Box 2308
10 Pulteney St
Adelaide SA 5000
|
$15,000
|
South Australian writers
working in various areas including on essays.
|
Australia Council
Biennial Fellowships
|
Australia Council Biennial Fellowships
|
$45,000
|
Writers with five significant
works of literary nonfiction (comprising autobiography,
biography, essays, histories, literary criticism or other
analytical prose).
|
Australia
Council’s New Work Grants
|
New
work grants
|
5,000
– 30,000 depending
on the experience of the writer
|
Emerging writers of literary nonfiction, with at least 10 published works in
major print publications.
|
Australia
Council Skills and Arts Development Grant
|
Skills
and Arts Development Grant
|
6 months’ residency, $12,000
living allowance, $3,000 travel
|
Sponsors the writer for
a six-month residency at various (specific) arts institutions
around the world. Available to authors
with one full-length work published (including
of nonfiction)
|
New South Wales Ministry
for the Arts Writer's Fellowship
|
Program Support
Arts NSW
PO Box A226
SYDNEY SOUTH NSW 1235
|
$20,000
|
Applicants
submit a proposal to complete
a work which will advance Australian literature. Writer must live in NSW.
|
National
Archives of Australia Frederick Watson Fellowship and Margaret George Award
|
|
Up to $15,000 (FW) and up
to $10,00 (MG)
|
Living
allowance granted to
well established or emerging researchers to explore the archives in their field of expertise. Frank Moorhouse
was a recent recipient.
|
Churchill Fellowship
|
|
Average of $25,000
|
Travelling fellowship for an Australian ‘of
any walk of life’, with a substantial body of work, to
travel overseas to research or study something that they
couldn’t within Australia. Recipients spend over
4 weeks overseas.
|
Harold
White Fellowship
|
National
Library of Australia
|
|
Residency, an NLA office,
access to stacks and interlibrary loans. Perfect for
the creative nonfiction writer!
|
Varuna Awards for Manuscript Development
|
Varuna—The Writers’ House
141 Cascade St
Katoomba NSW 2780
|
10 days’ stay at Varuna house
with a Harper Collins senior editor to workshop a manuscript.
|
For
new or emerging writers of prose fiction or narrative nonfiction.Note:
the adjudication process costs!
|
Varuna House Retreat Fellowships
|
Varuna—The
Writers’ House
141
Cascade St
Katoomba NSW 2780
|
3 weeks at Varuna
|
Writers
of many genres, including nonfiction.
|
|
|
|
|
|
Table 3: Competitions
and awards[viii]
Prize Title
|
Address
|
Prize
|
Word
limit
|
Description
|
Alfred Deakin Prize for an Essay Advancing Public Debate (viewed
26 Oct. 06)
|
Victorian Premier’s Literary Awards
State Library of Victoria, 328 Swanston Street,
Melbourne VIC 3000
|
$15, 000
|
2000+
|
For an essay, which advanced
public debate, published in the eligible period. Previous
winners include John Button, Don Watson, Malcolm Fraser
and Robert Manne, so probably best not to get the hopes
up
|
Australian Book Review Reviewing Competition (viewed 11 Oct. 06)
|
PO Box 2320, Richmond South, Vic 3121
|
$200 (gift voucher, publication)
|
< 800
|
Review must be on a book
published since 2000 by an Australian or with Australian
themes.
|
Australian
Book Review Calibre
prize for outstanding essay
|
PO Box 2320, Richmond South, Vic 3121
|
$10,000
|
3,000 –10,000
|
On any nonfiction topic, must be unpublished
and not on offer to any other publication.
|
Australian Human Rights
Award—Arts Nonfiction category
|
Public Affairs Unit
Human Rights and Equal Opportunity
Commission
|
Kudos
|
None given
|
Writers
who have made a significant contribution to the promotion
and protection of human rights. Anyone who nominates themselves
for this would deserve to lose.
|
Australian-Irish Heritage
Joyce Parks Women Writers’ Prize
|
PO Box 1583 Subiaco WA 6904
www.irishheritage.net
|
$200
|
1,000
|
For
prose essays, fiction or nonfiction.
Open to all Australian women. Themes change
so check the website.
|
Berringa and Beyond Multicultural
Literary Awards
|
C/- Post Office, Scarsdale VIC 3351
www.papyrus.com.au
|
$125
|
1,800
|
Multicultural theme. Papyrus press has has difficulties
lately, so this may yet disappear soon.
|
Hastings
Regional FAW Literary Competition
|
PO Box 67, Port Macquarie NSW
2444
gillg@tsn.cc
|
$150
|
1,000
|
Three sections, one of which
is Article or Memoir. Contact FAW for a copy of ‘The
Writers’ Voice’ for all current competition and contact
information.
|
Patricia Hacket
Prize
|
Editor
‘Westerly’
English Communication and
Cultural Studies
University of WA
Crawley WA 6009
|
$700
|
None given
|
For the most outstanding contribution to the literary
journal Westerly.
|
William Todhunter Literary Award, Woodsite Valley Foundation WA.
|
47 Kitchener Avenue, Victoria Park, WA 6100
patchpost@brightonline.com.au
|
$2,000
|
5,000
|
>Western Australian history preservation society. Essays of
3000-5000 (spoken) words, topic is given (this year’s is ‘Miasma’-infectious or toxic
emanation).
|
1:5
Australian literary journals
Many Australian literary journals will accept creative nonfiction
essays. Most have an individual slant—those attached to University
English departments such as Heat, Southerly and Westerly are
a little more experimental, whereas the independent journals Meanjin, Overland and Quadrant, which
derive from long standing arts or social movements within Australia,
tend to be more overtly political.
The most promising new journal for essayists is The Monthly magazine,
which publishes beautifully-crafted, accessible nonfiction. Although
it tends to only publish well established authors, it’s worth reading
to get a feel for the field.
It may be easier for the novice writer to be printed in
some of the smaller journals, but these will carry less prestige
than a publication in the major print journals.
In general, most submission manuscripts must be:
· printed
on A4, single side only,
· double
spaced and with a large margin,
· use
Times New Roman 12 pt,
· include
name, address and copyright on a cover sheet.
· Editors
often request a brief biography (200 words).
Journal[ix]
|
Word Length
|
Submit via
|
Payment
|
Comments
|
Australian Multicultural Book Review
|
Max 3,000
|
Hard copy
|
Free AMBR magazine
|
Guidelines as per Papyrus
Press – should address multicultural issues
|
Cultural Studies Review
|
3,000-7,000
words
|
Email as MSWord attachment
to csreview@unimelb.edu.au
|
none
|
Journal
of cultural studies and new writing. Useful both for
reading, and submitting articles. Accepts freelance submissions
for creative essays.
|
Heat Magazine
|
Max 6,000
|
Hard copy
|
None mentioned
|
Now part of the Writing and
Society Research Group, Uni. W. Syd.
|
Meanjin
|
5,000, most much less
|
Hard copy only
|
$100.00[x]
|
University of Melbourne.
Hight quality. Include a biographical note with submission.
Between 10 and 20 essays per issue.
|
Meridian
|
2,000-5,000
|
Hard copy, email
|
None mentioned
|
La Trobe University English
Review.
|
The Monthly
|
Varies
|
Hard copy only
|
At editor’s discretion
|
Literate, creative nonfiction
essays publishes. Publishes well-known names
such as Don Watson, Helen Garner, Robert Manne, Gideon
Haigh, edited by Kerryn Goldsworthy. Contact editor
before submission.
|
Overland
|
Max 5,000, most pieces tend
to be half that.
|
Hard copy
|
$100.00[xi]
|
High quality, left-leaning
literary journal publishing about 6 essays per issue.
|
Quadrant
|
1,500-4,500
|
Short stories: hard copy
|
Payment
|
High quality, right-leaning
literary journal.
|
Skive Magazine Quarterly
|
100-2,500
|
Email with MSWord attachment
|
Nil
|
Amateur journal run by Matt
Ward. Has just become a print mag. Easy to publish in (I
have done so, under a pseudonym!)
|
Southerly
|
2,000-5,000, most about 2,000
words
|
Hard copy
|
$150.00[xii]
|
Journal of the English Association,
University of Sydney. Prints a few more short stories than
Meanjin.
|
Social Alternatives
|
1,000 to 3,000
|
Hard copy, email, disk in
PC format
|
None
|
Left wing/ progressive/rights
based polemic newsletter.
|
Text: Australian Association of Writing Programs
Journal
|
No word length specified
|
Email only to text@griffith.edu.au
|
None
|
Very literary, accepts short
stories, fictocriticism, creative nonfiction, cross-genre
and experimental prose.
|
UQ Vanguard
|
Max 4,000
|
Hard copy with disk, email
|
None
|
Submissions must be politically
correct, experimental. As it is sponsored by the University
of Queensland Student Union, it may be an endangered species
|
Westerly
|
Max 2,000, but often much
shorter, 800.
|
Hard copy only
|
$90.00[xiii]
|
About 4 essays per issue.
|
Woorilla
|
500 – 3,000
|
Hard copy with disk in rtf
format, email with attachment in rtf format
|
None
|
Published by a co-operative
of writers from the Dandenong ranges. Accessible rather
than experimental work seems to be preferred.
|
Writers—Life Stories
|
1000 words
|
Email only
|
None
|
Autobiographical only. Very
new publication therefore might disappear.
|
Part 2: International Institutional Frameworks
2: 1 Professional bodies and organisations
Overseas, but particularly in the US context, creative nonfiction
falls within not only the academic field, but there is a far wider
tradition of high quality essays within the journalistic field. The
prestigious journals The New Yorker and Harper’s Magazine are
the pinnacle of this tradition.
Interestingly, creative nonfiction, along with cross-genre
literature in general, is flourishing in Canada, which must have
a very healthy arts budget.
Table 5: International
professional bodies
and organisations:
Name and Web Address
|
Comments
|
Creative Nonfiction Organisation
|
Provides mentoring, a journal
devoted to creative nonfiction, an education program, and
a website with enormous resources. Publishes two journals.
|
Arts Council, UK
|
Development agency for the
arts in the UK. Distributes government and National Lottery
money.
|
National
Endowment of the Arts (USA)
|
The USA’s largest funding
body for the creative arts.
|
Association of Writers and Writing Programs
|
An international organisation
providing members with job lists, a newsletter with writing
and publishing advice, a grants and awards calendar, and
advocacy.
|
American
Society of Journalists and Authors
|
This society caters for freelance
nonfiction writers, which most essayists will be.
|
The
Author’s Guild (US)
|
Plays
an advocacy role. Website has excellent legal advice
on contracts, electronic rights, copyright, and news.
Members must be published book authors or
freelance authors (having had 3 piece published in the
last 18 months).
|
New
Zealand Society of Authors
|
Advocacy for New Zealand Writers. Has good
links for the novice writer.
|
International
PEN
|
PEN is an actively political group, which
aims to support writers within oppressive regimes or
societies.
|
Writer’s
Market
|
(US equivalent of Australian
Writers’ Marketplace)
An online writer’s resource, published by F&W press, listing agents, publishers,
contests and other information for authors.
By subscription only.
|
SALT: Institute for
Documentary Studies
|
One
of these American artistic communities set up in the
1970s, and still going strong. Offers courses in creative nonfiction. Has a great resource
listing.
|
Table 6: University
programs offering courses in creative nonfiction
Reflecting the fact that creative nonfiction is a more American
genre, there are several American and one English university, offering
postgraduate degrees specialising in creative nonfiction.
2:
2 Useful Industry Links
· 412: Pittburgh’s Annual Creative Nonfiction Festival This
year will cover the ethics of writing creative nonfiction.
· Bruce
Dobbler’s Creative
Nonfiction Compendium. A definition of the field through
reading lists, examples and definitions by Bruce Dobler, Associate
Professor of English in the Creative Nonfiction Program at the University
of Pittsburg.
· Fourth
Genre (Journal of Creative Nonfiction) Forum. Has some excellent essays
on nonfiction, including from Lee Gutkind,
founder of the CNF movement.
· Articles
from the CNF journal Brevity
on the craft of the CNF
essay.
· A
brief description of creative nonfiction by Phil Druker of the
University of Idaho .
· Aaron
Pope’s definition of creative nonfiction.
· Definition
of Creative Nonfiction in Wikipedia.
· Creative Nonfiction Week held
by Columbia College in Chicago.
· Creative Nonfiction Magazine's mentoring program.
· Writing
creative nonfiction can bring up many ethical dilemmas: just how
do you describe the bad points of a real person? Can you stretch
the truth for poetic effect? The issue is the subject of The Creative
Nonfiction Foundation’s conference: 412.
· Washington
radio station, WTOP, article on CNF and ethics.
· An article
from Frank Tempone, then-CNF editor of the Del Sol review,
which discusses how ethical it is for Lee Gutkind and the Creative
Nonfiction Foundation to claim ownership of the field.
· A comprehensive page
of resources on US copyright and fair use laws
from Standford University.
· Copyscape has a search engine which
matches your site with others with identical (copied) pages.
· International
copyright law resources from publisher Bloomsbury Press.
· The Authors’ Guild has a factsheet on
US copyright, and also publishes news on copyright law changes. For instance, as this is
being written, there
is a bill being considered in the US Senate which would
disallow authors from using branded trademarks in their work, making
it a breach of trademark laws to write about a character going to
MacDonalds and buying a Coke.
· To
buy publications on creative nonfiction, click here.
2:4 Fellowships, grants, awards
and competitions
I’ve omitted many grants on the grounds that they’re only
available to US or UK citizens.
Table 7: International Fellowships and Grants[xiv]
Grant Title
|
Amount per annum
|
Who is eligible, and what
for?
|
Fine Arts Work Centre,
Provincetown, Massachusetts USA Winter Fellowships
|
Living accommodation
and stipend of $500 per month.
|
6
month residential fellowship at the Fine Arts Work Centre.
|
Arts Council of the UK
|
Varies
|
UK citizens and residents
can apply for various grants.
|
Phillips Exeter Academy,
New Hampshire, USA, George
Bennett Fellowship
|
One year Stipend of $10,000
|
Includes living expenses and meals for fellow and
family. Responsible for mentoring students in writing.
|
Millay Colony residential
program, Austerlitz, New York, USA.
|
one month residency
|
Commune-like
retreat for artists and writers.
|
National
Endowment for the Arts Creative
Writing Fellowships
|
$20,000 for writing, research, travel
and general career advancement
|
For writers of creative nonfiction who have published five essays in two or
more journals, or a volume. Applicants must be citizens
or permanent residents of the USA.
|
Table 8: International
Prizes and Awards for creative nonfiction works
Note: All prize moneys are in the currency of the nationality
of the contest.
Prize
Title
|
Prize
|
Word
limit
|
Description
|
|
|
|
|
Age Concern Book of the Year (UK)
|
£1,000
|
Book
|
Award for a work of nonfiction
judged to best promote the understanding of older people.
|
Associated Writing Programs Annual Award Series (US)
|
$2,000
|
From 150-300 pages
|
Award for a manuscript of
creative nonfiction, open entry.
|
Bellingham
Review Annie Dillard Award for Nonfiction (US)
Annie Dillard
Bellingham Review
Mail Stop 9053
Western Washington University
Bellingham, WA 98225
|
$1,000
|
8,000
|
Nonfiction prose in the style of Annie Dillard, known
for her spiritual/nature writing.
|
Briar Cliff Review Fiction, Poetry and Creative
Nonfiction Contest (US)
|
$1000
|
6,000
|
Hard copy entry, guidelines
on website.
|
Creative
Nonquiction Contest (US)
|
$250 plus entry fee pool
|
< 250
|
Run by Brevity, Web del Sol
and 5 Trope magazines. Flash nonfiction. Was run in 1999,
may be defunct?
|
IP Picks 2007 National Writing
Competition (US)
|
publication
|
Book length
|
Unpublished book manuscripts.
|
Literal Latte Essay Award (US)
|
$1,000
|
8,000
|
All styles and subjects welcome.
|
Longman-History Today Book of the Year Award (US)
|
£5,000
|
Book length
|
Authors first or second nonfiction book on a historical
subject. Publisher entry only.
|
Lamar
York Prize for Nonfiction
|
$1000
|
5,000
|
“No theoretical, scholarly, or critical essays will be
considered, but all other approaches and topics are welcome”
|
Marylhurst
University Journal of Literary and Visual Arts (US)
M Magazine annual competition
|
$50
|
4,000
|
Has a creative nonfiction section.
|
Nervy
Girl Creative Nonfiction Writing Contest (US)
|
$100
|
2,000
|
Personal essays, memoirs, and works of literary nonfiction
in some way pertaining to the theme “Awakening.”
|
New
Writing Ventures prize for Creative nonfiction
(UK)
|
£5,000
|
4,000
|
Administered by the UK
charity, Booktrust, for the New Writing Partnership. Seems to be
open to anyone.
|
Orwell Prize (UK)
|
£1,000
|
Book length
|
Good, accessible prose about politics, political thinking
or public policy.
|
Preservation Foundations Nonfiction
Contest (US)
|
$100
|
1,500-5,000
|
For unpublished authors only. Entry is
free.
|
Prairie
Fire Writing Competition (Canada)
|
$1,000
|
5,000
|
Run by a Canadian print magazine of new
writing. Hard copy submission only.
|
PRISM
International Literary Nonfiction Prize (Canada)
|
$1,500
|
25 pages
|
Must be no more than 25 pages of double
spaced typing on US-sized paper.
|
Richard
J Margolis Award (US)
|
$5,000
|
|
Given to an essayist whose work combines
“warmth, humo[u]r, wisdom and concern with social justice.”
|
Samuel Johnson Prize for Nonfiction (UK)
|
£30,000
|
Book length
|
Awarded to a work of nonfiction by an author of any nationality,
on current affairs, history, politics, science, sport,
travel, biography, and autobiography. Publisher entry only.
|
Surrey
International Writers' Conference Writing Contest (Canada)
|
$C 1,000
|
1,500
|
Annual contest open to anyone over 18. Has a nonfiction
section.
|
Tenessee
Writers Alliance Creative Nonfiction Award (US)
|
$500
|
3,000
|
See website for more information.
|
The
Charles Taylor Prize for Creative Nonfiction
|
$CAD20,000
|
Book length
|
Given to a work of Canadian-authored
creative nonfiction
|
The New Writer Magazine: Prose and Poetry Prizes
2006. (US)
PO Box 60, Cranbrook,
Kent TN17 2RE tel 01580 212626; fax 01580 212041;
|
1st prize £150
|
2,000
|
One division is for essays, on a writing-related or literary
theme.
|
Women Writers Conference Creative Nonfiction Contest (US)
|
$500 plus con admis-sion
|
2,500
|
See website for more information.
|
2:5 Major print journals publishing
creative nonfiction essays
The most important journals devoted to creative nonfiction
are River Teeth, The Fourth Genre, Creative Nonfiction Magazine, The
New Yorker, and Harper’s Magazine (all listed below).
The first three arise from the Creative Nonfiction movement, and
would probably be the easiest for the novice to try for publication.
Conversely, it would be nearly impossible for a novice to get published
in the latter two! Also of note is the online journal Brevity,
which has some useful archives and forums on writing creative nonfiction.
Most offer only a token payment, if at all.
It's best to read the journals beforehand to gauge the magazines’
aesthetics.
Most of these journals require hard copy submissions, in
the following format:
· 12
point Times New Roman font
· Double
spaced, on single side of page
· Brief
biography
· Pages
numbered
· Include
a stamped, self-addressed envelope, with international post coupons.
Some allow for an email address for reply.
· On
US standard sized paper.
· And remember: set your spell-check for US spelling!
Table 9: International
Print Journals accepting creative nonfiction
(Note: Important journals in the field are asterisked*)
Journal
|
Word Length
|
Submit via
|
Type
|
Comments
|
American Literary
Review
P.O. Box 311307
University of North Texas
Denton, TX 76203-1307 USA
|
6,500
|
Hard copy
|
Academic literary
|
Publishes personal essays,
memoirs, experimental nonfiction and literary journalism. Reading period
is September 1 to May 1.
|
Areté
Areté Ltd.
8 New College Lane, Oxford,
OX1 3BN United Kingdom
|
Varies
|
Hard
copy
|
Independent
arts
|
Quality journal publishing
quality literature from established authors.
|
Ballyhoo
Stories
BALLYHOO
STORIES
P.O.
Box 170
Prince
Street Station New York, NY 10012
|
7,000
|
Hard copy
|
Independent
arts
|
Annual
journal publishing fiction & creative nonfiction. Cute
flash site. 2007 theme is ‘particles and stars’.
|
Brick
– A Literary Journal
Box 537, Stn Q
Toronto, ON M4T 2M5
Canada
|
|
Email
|
Independent
arts, Canadian tradition
|
“Journal of ideas” Publishes only nonfiction, i.e. personal essay,
memoir, critique, etc. There’s a Helen Garner article
in the current issue.
|
Cake Train—a
journal and press
Box
82588
Pittsburgh, PA 15218 USA
|
None
specified
|
Email submissions as MSWord
attachments
|
Independent
arts
|
|
The
Capilano Review
2055 Purcell Way
North Vancouver, B.C.
V7J 3H5 Canada
|
6,000
|
Hard
copy
|
Prestigeous
Canadian
arts
|
Prestigious journal publishing experimental literature.
Pays $CAD 50 per page, max $CAD 200.
|
Chattahoochee
Review The
Chattahoochee Review
2101 Womack Road
Dunwoody, Georgia 30338-4497 USA
|
6,000
|
Hard copy
|
Independent
arts
|
“We look for distinctive topical essays and personal "creative
nonfiction" of any kind.”
Specifically
not an academic audience
|
*
Creative Nonfiction Magazine By
the Creative Nonfiction Organisation
|
5,000
|
Hard copy
|
Creative nonfiction movement journal
|
Offers publication and mentorship.
Reading fee is $US20.00 (!) $10 per printed
page
|
Descant
PO
Box 314,
Station P
Toronto, ON
M5S 2S8
|
|
Hard copy
|
Prestigeous Canadian arts magazine
|
Accepts ‘well written’ essays—asks that you
only send your ‘best, carefully edited work’
|
Doubletake/Points
of Entry
Department of English
1 University Place
Christopher Newport University
Newport News, VA 23606
|
1,000-5,000
|
Hard copy
|
Academic literary
|
Accepts
topical, documentary or scholarly essays. Pays 2 copies of journal
|
*
Fourth Genre
Department of Writing,
Rhetoric, and American Cultures
Michigan State University
285 Bessey Hall
East Lansing, MI 48824
|
|
Hard copy
|
Creative nonfiction move-ment; academic literary
|
Quarterly print and online journal devoted
entirely to literary nonfiction. Website has an impressive forum section
|
Granta
2-3 Hanover Yard
Noel Road
London N1 8BE
United Kingdom
|
|
Hard copy
|
Independent arts mag
|
Publishes only creative nonfiction with a long ‘shelf life’ (as
publication can take a while).
|
Greatcoat
|
-
|
Email as MSWord or RTF attachment
|
Amateur
independent journal
|
Journal
of poetry and creative nonfiction.
|
*
Harper’s
Magazine
666 Broadway, 11th Floor
New York, NY 10012
|
Not
given anywhere
|
Hard copy
|
Mainstream literary
|
Publishes one or two creative nonfiction essays per month. Contact first with a written query before
submitting.
|
The
Harvard Review
Lamont Library, Harvard University, Cambridge,
MA 02138 USA
|
7,000
|
Hard copy, overseas, email
okay
|
Academic literary
|
Academic literary review
|
Headlight Journal
|
<500
words
|
Email
|
Amateur/
small
|
Prefers
experimental texts.
|
Michigan Quarterly
Review
University of Michigan
3574 Rackham Bldg.
915 E Washington Street
Ann Arbor, MI 48109-1070 USA
|
1,500 to 7,000 with 5,000
words average.
|
Hard copy
|
Academic
|
Prestigious. Each issue is themed.
|
Missouri
Review
|
No word limit.
|
Online, as DOC, RTF, TXT
or PDF attachments
|
Academic
|
Publishes a few nonfiction essays per issue, should
be of general interest. More about submission here.
|
The New Yorker
4 Times Square
New York, NY 10036 USA
|
|
Email, text in body of email
|
Mainstream literary
|
Very wordy-witty (NY Jewish humour) style, would be extraordinarily
unlikely to publish a newcomer.
|
Ploughshares
Emerson College.
|
500-5,000
|
Upload
to submission
page
|
Academic
|
Accepts one nonfiction personal essay per issue. Pays
$25 per printed page to a max of $250.00.
|
Quarterly West
255 S. Central Campus Dr., Room 3500
Department of English
University of Utah
Salt Lake City, UT 84112 USA
|
|
Hard copy
|
Academic
|
Print Literary journal of the University
of Utah
Publishes creative nonfiction. Submissions Sept-May
only. Pays 2 copies of magazine
|
*
River
Teeth
Department
of English
Ashland University
Ashland, OH 44805
|
None
mentioned
|
Hard copy
|
Academic, creative nonfiction movement
|
Biannual journal of creative nonfiction. Has had essays accepted
into Best American Essays, 2005. Publishes narrative
reportage, essays, memoirs, critical essays of general
interest.
|
Slow
Trains
|
5,000
|
Email, text in body of email
|
Independent
literary
|
Quarterly
Online and annual print literary journal.
|
Threepenny
Review
PO Box 9131
Berkeley, CA 94709 USA
|
4,000
|
Hard copy
|
Independent literary
|
No submissions between Sept-Dec inclusive. Publishes
narrative memoir. Prefers traditional, non-experimental forms
of narratives.
|
Topic
Magazine
|
No
word limit
|
Email, text in body of email
|
Amateur
|
Quarterly
print nonfiction literary magazine published by Cambridge
grads. Publishes nonfiction with a strong narrative.
|
*
Tiny Lights
P.O.
Box 928
Petaluma
CA
94953 USA
|
either
standard 1000-2000 words, or flash <1,000 words
|
Hard copy
|
Amateur
|
A
print journal devoted to ‘personal narrative’. Submit by
entering their biannual essay contest.
|
The Virginia Quarterly
Review
The Virginia Quarterly Review
One West Range, Box 400223
Charlottesville, VA 22904-4223
USA
|
None
specified
|
Hard copy
|
Academic
|
Distinguished literary review. Publishes
several ‘well-written’ traditional essays per issue. Closed to submissions between June and September
|
Part 3: Creative nonfiction in the new media
Like all writing, creative nonfiction has some excellent
outlets on the Internet. There are dangers, though, with publishing
on one of these sites. You should make sure that you are convinced
of both the quality of the journal, and that the work is your best,
because since the advent of Google, your name may be linked in perpetuity with
substandard piece, on a dodgy site. Secondly, amateur journals can
have a very short lifespan, and there is the possibility that they
may disappear completely, taking all traces of your work with them.
Table 10: Online literary journals publishing creative nonfiction
Journal[xv]
|
Word Length
|
Submit via
|
Comments
|
The Absinthe Review
|
5,000
|
email
|
High-quality experimental
literature. Essays
must be on a literary subject. Pays $2-20 per essay
|
Australian Reader
|
|
Submission by email:
|
Open
to all, less established, lower quality.
|
Beehive – hypertext/hypermedia
literary journal
|
|
Submit
via email with attached file. Contact first with idea.
|
From the site “We are
interested in new fiction, hypertext projects, poetry,
critical theory essays, art and art historical essays.
Our editorial policy is open – we are not limited to
any specific genre or subject. We are most interested
in writing that challenges...”
|
* Brevity Biannual
journal associated with the Creative Nonfiction Organisation
|
750
|
Email
submissions as MSWord attachments
|
Flash
creative nonfiction
|
Contrary
Chicago based literary journal
3114
S. Wallace Street Suite 2
Chicago, IL 60616
|
<1,000
|
Submissions
by email only
|
Accepts creative, literary
essays of any length, must be more creative than academic. Usually pays a token
$20 per published article.
|
Del Sol Review
|
None stated
|
Either in text of email or
as RTF attachment
|
Independent
literary arts review
|
Dotlit
Online Journal
|
4,000
|
Submit
as email attachment
|
Publishes new and innovative writings
including creative nonfiction and hypertext, supported
by the Queensland University of Technology
|
Eclectica
|
None specified, but most
are less than 2,000
|
Submissions by email only
|
Publishes creative nonfiction essays (amongst other
things). Issues are archived indefinitely
|
Flak
Magazine
|
500-1000
|
|
American youth oriented
culture commentary. Guidelines ask that submissions
be witty, brief, and avoiding first person references.
|
Flashquake
|
1,000
|
As text in email
|
Flash
fiction site
|
Going
Down Swinging
|
Max 5,000
|
Email with MS word attachment
|
Established,
has some quality contributors, i.e. Kevin Brophy. Only
submissions received between 1 April and 30 June will be
considered.
|
Ink and Ashes
Chicago
based online journal
|
|
Email
|
Only accepts creative nonfiction or poetry, no fiction.
Prose tends to be lyrical.
|
Jacket
Magazine
|
None specified
|
Online
submission
|
A
high arts online literary magazine, mainly for poetry but
also publishes about 5 or 6 essays or articles per month.
|
Literal Latté
200 East 10th Street, Suite 240
New York, NY 10003
Tel: (212) 260-5532
|
6,000
|
Hard copy only
|
Stories
or personal essays. Has published some very accomplished
authors. Tone is light, spare and erudite.
|
Literary Mama online journal
|
500-7,000
|
Email as attachment
|
By
and for literary mothers!
|
Per
Contra
Miriam Kotzin
Suite 10B
250 South 13th Street
Philadelphia,
PA 19l07-5615
|
|
Only given when submissions
are open
|
Online literary magazine publishing creative nonfiction. Submissions seem to
be closed at the moment.
|
Projected
Letters
|
None specified
|
Online
|
Well-established online literary journal.
Publishes all sorts of nonfiction, but stipulates that any essays be authoritative and
well referenced.
|
3 AM
|
3,000
|
Email
|
More amateur online literary journal, tends
to be irreverent.
|
Word
Riot
|
either
1000-5,000 words, or less than 500
|
Submissions
in text of email
|
Publishes ‘edgy’, ‘raw’, ‘experimental’ pieces,
including creative nonfiction. Reads a bit amateur
to me.
|
.
Competitions:
These are all from the
members lounge section of the ACT Writers’ Centre webpage:
*29 September - 2006 Trudy
Graham Literary Awards. For short stories up to 3000 words and
poems up to 50 lines. Theme: memoir. Entry fee: $5 per entry.
Prizes in both sections: 1st $400, Runner-up $100. An entry
form is required and is available by sending a SSAE to The Receiving
Officer, Trudy Graham Literary Award, Peter Cowan Writers Centre,
PO Box 239, Joondalup WA 6919.
30 September
- Whim's Place Flash Fiction Contest. Stories must be 500 words or less. Each entry
fee is US$5, and you may enter as many stories as you like.
The entry fee is payable through PayPal. Entries may be submitted
online or by post. 1st place US$250, 2nd US$150, 3rd US$100
plus five honourable mentions of US$50 each. For more information
visit www.whimsplace.com. Queries
to contest@whimsplace.com
30 November
- Fellowship of Australian Writers (Vic) Incorporated
2006 NATIONAL LITERARY AWARDS Book Awards
1. FAW MELBOURNE UNIVERSITY PUBLISHING AWARD Entry
Fee
$15
Sponsored
by
Melbourne
University
Publishing
First
Prize:
$1000
An
award
for
a
NON-FICTION
work,
including
biography
and
autobiography,
of
sustained
quality
and
distinction
with
an
Australian
theme,
first
published
after
30/11/05,
and
not
previously
published
locally
or
overseas.
Two
copies
of
the
book
are
required
and
will
not
be
returned.
Books
published
by
Melbourne
University
Publishing
ARE
eligible
for
entry,
as
the
judges
for
this
Award
are
independent
of
MUP.
Overseas
competitions
30 November - The New Writer
Magazine: Prose and Poetry Prizes 2006. One of the major annual
international competitions for short stories, novellas, single
poems, poetry collections, essays and articles; offers cash prizes
as well as publication for the prize-winning writers in The Collection
- special edition of The New Writer magazine each July. Essays,
Articles, Interviews - covering any writing-related or literary
theme in its widest sense up to 2,000 words. 1st prize £150,
2nd £100, 3rd £50. Single entry £4 (TNW subscribers two entries
at same fee). Short Stories, Serials/Novellas - stories up to
4,000 words, serials/novellas up to 20,000 words on any subject
or theme, in any genre (not children's). Previously published
work is not eligible. Short Stories: 1st prize £300, 2nd £200,
3rd £100. Novella: 1st prize £300. Entry fees £4 per short story
(TNW subscribers two entries at same fee) or £10 per serial/novella.
Single Poems and Collections - single poems up to 40 lines and
collections of between 6 - 10 poems. Single poem entries must
be previously unpublished; previously published poems can be
included as part of a collection. Collection: 1st prize £300,
2nd £200, 3rd £100. Single: 1st prize £100, 2nd £75, 3rd £50.
Entry fee £4 per single poem (TNW subscribers two entries at
same fee, £10 per collection. All work should be clearly typed,
double-spaced (except poetry), on one side of white A4 paper
and paperclipped. Entrants may make as many ubmissions as they
wish but please include your name, address, title of entry, word
count and category on a separate cover sheet with every entry.
A full list of winners will be sent provided SAE is enclosed.
Further information including guidelines and entry fees at http://www.thenewwriter.com/prizes.htm
or send SAE for printed entry form to The New Writer, PO Box
60, Cranbrook, Kent TN17 2RE tel 01580 212626; fax 01580 212041;
admin@thenewwriter.com
1 December - IP Picks 2007
National Writing Competition
Now in it's 6th year, the
IP Picks 2007 national writing competition seeks entries of unpublished
manuscripts in the following categories: Best Fiction; Best Creative
Non-Fiction; Best Poetry; and Best First Book. The winners are
guaranteed royalty publication by one of IP's three imprints.
Entries close 1 December 2006, for further information visit
www.ippoz.biz/ip/ip_picks.htm Closing Date:1 December 2006
Australian Book Review
Book Reviewing Competition
PO Box 2320, Richmond South,
Vic 3121
http://home.vicnet.net.au/~abr/New%20Competition.htm (viewed
11 Oct. 06)
Entry form is Acrobat Reader
Prize: $200.00 Readings
gift voucher, publication, one years’ subscription to ABR. Review
must be less than 800 words, and on a book published since 2000
by an Australian or with Australian themes. Due September annually,
check website for dates. Entry fee: $15.00 non-subscribers, $5.00
subscribers
Australian-Irish Heritage
Joyce Parks Women Writers’ Prize
PO Box 1583 Subiaco WA
6904
www.irishheritage.net
For prose, fiction or non-fiction,
word max 1,000. Open to all Australian women. Themes change so
check the website, entry fee $10.00, prize $200
Calibre Prize for Outstanding
Essay
http://home.vicnet.net.au/~abr/Competition%20-%20Calibre%202006.htm
Entry form is in Acrobat
Reader
Prize $10,000, on any non-fiction
topic, essays must be unpublished and not on offer to any other
publication, 3,000-10,000 words. Entries close end July, but
check website for updated information. Entry fee: $20 subscribers,
$30 non-subscribers.
Berringa and Beyond Multicultural
Literary Awards
C/- Post Office, Scarsdale
VIC 3351
www.papyrus.com.au
Article of nomore than
1,800 words, on a multicultural theme. Entries close 30 November.
Entry fee $5.50, 1st prise
$125.00.
Ethel Turner Prize
NSW Premier’s Literary
Awards,
NSW Ministry of the Arts
PO Box A226, Sydney South,
NSW 1235
www.arts.nsw.gov.au
For fiction, non-fiction
or poetry written for young people of secondary school level.
No entry fee, Prize $15,000.
FreeXpresSion Literary Competition
PO Box 4, West Hoxton NSW 2171
www.freexpression.net
Category D. Article or Essay up to 2,000 words on any
subject. Entry fee $5.00, Prize $200.00
This seems to be a less professional publication. There
is no online content and to find the competition guidelines you
have to subscribe to the magazine. Therefore could be a slightly
riskier proposition with respect to copyright. Christian values.
Hastings Regional FAW Literary Competition
PO Box 67, Port Macquarie NSW 2444
Email: gillg@tsn.cc
Three sections, one of which is Article or Memoir.
Max word length 1,000. Contact FAW for a copy of ‘The Writers’
Voice’ for all current competition and contact information. Entry
fee $5.00, 1st Prize $150.00.
The Alfred Deakin Prize
for an Essay Advancing Public Debate
Victorian Premier’s Literary
Awards
State Library of Victoria,
328 Swanston Street, Melbourne VIC 3000
www.slv.vic.gov.au/pla
For an essay, of over 2000
words, which advanced public debate, and was published in the
eligible period. Prize $15, 000. Previous winners include John
Button, Don Watson, Malcolm Fraser and Robert Manne, so probably
best not to get the hopes up!
Todhunter Literary Award
47 Kitchener Avenue, Victoria
Park, WA 6100
patchpost@brightonline.com.au
Can enter an essay of 3000-5000
(spoken) words, on a given topic. Closing date is 1 August, entry
fee $15.00, First prize $2,000. Contact organisers for guidelines.
Northern Territory
http://www.ntwriters.com.au/
Allen and Unwin Writers’
Centre
http://www.allenandunwin.com/writing/home.asp
Jacket Magazine –
http://jacketmagazine.com/00/home.shtml (viewed
10 October 06)
Jacket is a highbrow online
literary magazine which provides an outlet mainly for poetry
in Australia, but also publishes about 5 or 6 essays or articles
per month. Reviews, articles or interviews can be submitted for
consideration via this link: http://jacketmagazine.com/00/email-jacket.shtml
Dotlit -
http://www.dotlit.qut.edu.au/ (viewed
10 October 06)
Online magazine from the
Queensland University of Technology. Emphasis on new and innovative
work, including hypertext works and creative non-fiction.
· Submit to dotlitsubmissions@qut.edu.au
· Only unpublished work
is accepted
· Pieces should be submitted
electronically, double spaced, in MS Word
· Allow up to ten weeks
for a response
· dotlit is currently negotiating
funds and hopes to offer payment for non-academic contributions
in the future
Creative prose word length
4,000. Spoken word digital stories must be no more than 2 minutes
in length
Australia: OzLit
http://home.vicnet.net.au/~ozlit/
A big, sprawling, strangely organised site with lots of resources
on writing in Australia. Not affiliated with any group and
doesn’t seem to have been updated much since 1999.
Thylazine
http://www.thylazine.org/
Soul and real food! A free,
online literary magazine with ethical concerns which extends
to providing free, vegan foods to underprivileged children in
the remote areas of the Northern Territory. Submissions should
be in double spaced Word attachments, pictures as jpegs to director
(at) thylazine (dot) org
Beehive – hypertext/hypermedia
literary journal
http://beehive.temporalimage.com/
Highly experimental, but
could well work a creative non-fictional essay into the format
here.
From the site “We are interested
in new fiction, hypertext projects, poetry, critical theory essays,
art and art historical essays. Our editorial policy is open -
we are not limited to any specific genre or subject. We are most
interested in writing that challenges...
BeeHive accepts submissions
as attached files in most common formats for MAC or PC. Poetry
may be submitted in the body of an email message.
Please do not send content on initial contact.
Send queries to: beehive@percepticon.com ”
http://beehive.temporalimage.com/departments/dpt_submissions.html
The Capilano Review
http://www.thecapilanoreview.ca/submissions.php
The Capilano
Review has a long history of
publishing new and established Canadian writers and artists
who are experimenting with or expanding the boundaries of conventional
forms and contexts. International writers and artists with
connections to Canada appear in our pages too.
Submissions
The Capilano Review is
interested in experimental, venturesome writing and art. Our
About Us and Issues links will give you a sense of the work we
publish.
Please note the following
essential details when you submit your work:
Enclose a self-addressed
envelope. If you are submitting work from outside Canada, please
include an international reply coupon or Canadian stamps.
Print your name and address
on the manuscript.
For poetry submissions,
send a minimum of 4 pages; for fiction, a maximum of 6,000 words.
It may take as much as
4 months to receive a response to your manuscript.
We do not accept responsibility
for unsolicited manuscripts and visual art.
We do not accept submissions
by email or on disk.
We publish with First North
American Serial Rights.
Creative Non-Fiction Magazine:
American-based magazine
of the Creative Non-Fiction Foundation.
http://www.creativenonfiction.org/default.htm
Offers publication and
mentorship, but at a cost. $20.00 American just to read your
stuff!
Definition of Creative
Non-Fiction in Wikipedia
http://en.wikipedia.org/wiki/Creative_nonfiction
Fourth Genre: - a journal
for literary Non-fiction
http://msupress.msu.edu/journals/fg/
From their submission page:
Self-addressed, stamped,
letter-sized envelope (SASE) for reply.
Do not send disks.
Double-spaced, on one side
of 8.5" x 11" paper.
Include your name, address,
phone number, email address, the piece's title, and an approximate
word count. Include a stamped and self-addressed envelope for
return of manuscript. Please limit cover letters to one page.
Send essay and memoir submissions
and responses to the journal's content to:
David Cooper or Michael
Steinberg
Editors, Fourth Genre
Department of Writing,
Rhetoric, and American Cultures
Michigan State University
285 Bessey Hall
East Lansing, MI 48824
[ii] Frank
Tempone, then-CNF editor of the Del Sol Review, came to conclusion
that CNF techniques have been used at least since Egyptian funerary
texts, and continually since then. He believed that the Gutkind’s CNF
movement was more a justification for mediocrity. http://www.webdelsol.com/Del_Sol_Review/dsr9/tempone.htm
[iii] The
Best Australian Essays 2000,
ed Peter Craven, Black Inc. Melbourne,
2000.
[iv] Information Sheet G78--Competitions,
Information Sheet G81--Journalists
and Copyright,
Information Sheet G57--Creating
and publishing on the internet. Available on http://www.copyright.org.au/ (viewed 26 October 2006).
[vii] Most of these originally compiled
in:
Summers,
J, 2000. Australian Grants Register, Mercury, North Melbourne.
Australian
Literary Awards and Fellowships, 2005. Thorpe-Bowker, Melbourne.
[ix] All information condensed from entries
in Australian Writer’s Marketplace unless otherwise noted.
[x] Meanjin, Palgrave Macmillan/Melbourne
University Publishing, Carlton Victoria, 2005-.
[xi] Overland 177, O L Society,
Footscray, Victoria, 2004.
[xii] Southerly, Volume 64:3 Halstead
Press, Broadway NSW, 2005.
[xiii] Westerly v49, University of
West Australia, Nedlands WA, 2005
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